So, tonight at about midnight I finally got around to watching Crash and I can't say I particularly liked it.

I would like to say first off that all the actors in it were amazing. A couple of them are solid and I knew would be good - Don Cheadle, first off, who's always incredible and was no less so in this film - but Michael Pena and Terrence Howard were real breakouts for me, I thought they were fantastic. And actually sympathetic, which is my first problem with the film.

I'm a character-driven moviegoer. The thing about this movie was that it had potential for great characters but ruined them for me by trying too hard to paint them as sympathetic, which only ended up making me pissed off at them when they did the wrong thing rather than serving to make me understand WHY they did it. The whole movie felt very forced to me. The slow-mo scenes set to music with no diegetic sound, the characters crashing into each other, the monologue at the beginning of the film explaining the whole thing. It was also a really intense film - the only time I relaxed through the whole thing was in the scene between the locksmith and his daughter.

Of course, I have to admit that going into the film I had a prejudice already - I don't think much of the racism theme. Now, I don't live in L.A., and I suppose I've had what you could call a sheltered life when it comes to racism. I grew up and went to school largely in international communities where race was about the last thing one worried about when meeting people because most everybody was of a different race or nationality to you. But does anyone on my friends list obsess over race the way almost every character in this movie does? I get it, the movie had a theme, but I find it hard to believe that a random selection of people from the city who all happened to affect each other were all talking about race for the whole two-day period over which the movie was set. We get very detailed insights into how every single character views race and almost nothing else about their personalities unless they basically say it to the screen. I just found it *frustrating.* I knew I would before I flicked the movie on, but it didn't manage to suck me in and then sucker punch me. The only person I can honestly say I cared about was the locksmith.

Maybe I wasn't as affected by it because it didn't actually serve to force me to look at myself and see my own prejudices. I know I have them, but I guess I'd figured that out before I saw the movie or something, because mostly I was just cranky when people were all "Oh wow, it turns out I really AM racist." Bah, I don't know.

I also don't think it's as great a movie as it's been built up to be. The editing was clever but the direction was frequently frustrating and it was, as I've mentioned, very unrelenting. The music was about as subtle as a sledgehammer. There are other politically-driven ensemble dramas I've enjoyed much, much more, although as a genre it's never really grabbed me.

Two parts did crack me up, but I'm not sure they were supposed to:
1. "Because we've got guns?"
2. "I'm not talking to you unless you speak American!" followed immediately by a Welsh band singing as the credits came on. I love me some Stereophonics.

Conclusion: Actors good, Michael Pena, Don Cheadle, Terrence Howard and Ryan Phillippe all very pretty boys, but I'd rather see cowboys making out kthanks. And I missed Tony Danza somehow!!! I mustn't have been paying attention all that well.

6 out of 10.

Feel free to discuss in comments.

ETA: if D:LA2 were about 2 or 3 weeks later I could come :(

Green Queen

From: [identity profile] indilime.livejournal.com


Did you spot Daniel Dae Kim for the, um, about two seconds he was in the film?

From: [identity profile] green-queen.livejournal.com


Yes! As if I'd miss a Lost boy. I got all excited and squeed at the film...pretty much the only tims I did, too.

Your boy is PRETTY, though.

From: [identity profile] green-queen.livejournal.com


Oh, yes. Definitely. He has just beautiful eyes. He also has a lovely way of speaking. I mean, he's not exactly from the Sean Maher school of perfect ennunciation, but he's close.

From: [identity profile] indilime.livejournal.com


LOL!

Hmmm... in honor of all this, I think I'll post a Terrence picspam later today. :D

From: [identity profile] truffle-shuffle.livejournal.com


I've wondered since seeing Crash last May if people who don't live in LA or have never been here would wonder if that what it's actually like. Because it isn't. I'm sure there are parts of LA like that, but in almost 4 years I've never once experienced anything remotely like that movie.

That being said, I thought the point of it was good, and didn't really have that many complaints about it. The acting was fantastic. Matt Dillon and Thandie Newton particularly stood out for me.

From: [identity profile] green-queen.livejournal.com


Yeah I didn't actually think LA was like that myself. I guess movies are meant to be hyper-exaggerated.

They were both great, especially in that car scene. I think Matt Dillon is largely underrated as an actor.

I think my biggest problem was the point of it. Or maybe I missed the point of it. It just seemed very negative and bitchy about race to me.

From: [identity profile] truffle-shuffle.livejournal.com


I agree that the point was forced and exaggerated. But what I got from it, more than the race issue, was that even the people we view as 'good' or 'bad' have other sides and you can't judge based on appearances or race.

From: [identity profile] starrox2.livejournal.com


I haven't seen Crash yet, so I can't comment on the movie itself, but the name Michael Pena caught my eye... that guy played Brian Burke (yes, named and modeled after a certain executive producer ;-)) on Felicity! *g*

From: [identity profile] bunnyflower.livejournal.com


I adore Crash, and it was most certainly one of my favourite films of last year. I do however completely see where you're coming from with the theme issues. What I personally get from the film is it's insightfulness, how it acts as a snapshot of several peoples lives and could, theoretically, continue long beyond the day and a half during which everything happens. Although potentially contrived, having all these racially different and racially prejudiced characters meet up in a confined time period, the fact that it simply focuses on 20 or so people, in the entirity of LA, speaks of how racial issues affect some groups. I didn't so much see it as commenting on the L.A scene, but as commenting on some of the issues some sections of society evidently, have to deal with, in this case in the racially diverse L.A.

On a more superficial note, I'm a ridiculous Michael Pena fangirl, and along with Terrence's character, the locksmith is my favourite of the whole film. And they're pretty. ;P

From: [identity profile] depply-in-luv.livejournal.com


i liked crash,i thought it was a good movie.michael pena's character was my favorite.but i still think brokeback mountain deserves best picture. i saw crash a few weeks ago and i haven't really thought about it since,but i saw bbm almost 2 months ago and i still can't get it out of my head.

From: [identity profile] lij24-will26.livejournal.com


You basically confirmed exactly how I felt about the movie.

I almost wonder if it's only nominated for an Oscar because they thought it was the best contrast to BBM (i.e. race issue vs. gay issue). It's not a bad movie but I don't see why there would be any other reason that it's being hailed as the movie to possibly give BBM a surprise shove out of the Best Picture win. If anything, I would say that Good Night and Good Luck had a better chance of doing that than Crash.
.

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